Research the
course layout
We review available course references to understand the routing, shape and visible geography of the course.
Each golf course print begins with real course references and is manually rebuilt as vector artwork in Adobe Illustrator. Our designers study the course layout, trace its main features, separate those features into editable elements and refine the finished artwork into The Golf Prints style.
Our prints are stylised representations of real golf-course layouts. They are designed as artwork for display, not as surveying plans or technical course documents.
A finished golf course print prepared for display.
We start by studying available references for the real golf course. These can include course maps, satellite imagery and other visual references that help us understand the routing and major features of the layout.
A designer then manually traces and rebuilds the course in Adobe Illustrator. Fairways, greens, bunkers, water, rough, boundaries and other visible features can be created as separate vector elements. The design is then simplified, balanced and refined for print.
The result is not a direct copy of a source image. It is our own stylised visual interpretation of the real course geography.
Our workflow separates research, tracing, feature construction, visual refinement and final review.
We review available course references to understand the routing, shape and visible geography of the course.
The course is manually traced and rebuilt as editable vector artwork rather than generated automatically.
Greens, fairways, bunkers, water and other visible features are organised as individual elements.
We simplify and balance the artwork so it remains recognisable while working as a clean wall print.
We check the finished composition, visible course features and overall print presentation before it goes live.
These examples show how course artwork is worked on and refined. They are short demonstrations rather than a record of every step involved in producing a finished print.
A closer look at the hands-on work involved in developing course artwork and shaping individual design elements.
An example of the visual refinement that turns traced course geography into a cleaner piece of wall artwork.
A course is not treated as one flat image. Its visible features can be separated, rebuilt and refined individually before the complete design is assembled.
Our artwork starts with references that help us understand the actual course layout. Depending on the course and the information available, this can include course maps, satellite imagery and other visual references.
We use those references to understand the routing and position of major features before manually building our own vector artwork.
Our goal is to keep the course recognisable while producing a clean piece of artwork that works on a wall. That requires visual simplification and design decisions.
The finished print should therefore be understood as a stylised representation of the course rather than a surveying map, navigational map or technical architectural drawing.
Small details can also change over time as courses are renovated, hazards move or newer reference material becomes available.
Our designs are created manually by our team in Adobe Illustrator. The reference material helps us understand the real course, but the finished vector artwork is constructed, adjusted and refined by a designer.
We use digital design tools because they allow us to build editable vector artwork, but the creative and layout decisions remain human-led.
Course shapes are traced and rebuilt by a designer rather than generated automatically from a prompt.
Course features can be adjusted independently as the design is refined.
The final composition is checked visually before the design is published.
Golf courses change, and the information available to us can improve. When clearer reference material or updated course information becomes available, we may review and refine an existing design.
This means an older version of a print may not always be identical to a later version of the same course.
This page explains the main stages of our process, but not every design decision or every reference used for every course. If you would like more information about our workflow or have a question about a specific print, contact The Golf Prints and our team can provide more detail where appropriate.
Browse our course collection, request a custom course, or contact our team if you have a question about how a particular design was created.